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AskMaddi

Lenses for Sports & Action

On the criteria sports & action leans on — af_performance, Optical Performance, Build Quality, Chromatic Aberration and Handling — here is how the reviewed lenses compare, with the sourced evidence behind each position. We don't crown a winner; we show the fit and let you decide.

Shopping to a budget? Lenses for sports & action under $1,000 · under $2,000 · under $3,000.

Ranked on the evidence

  1. Strongest reviewer support on Optical Performance and Build Quality.

    • Optical Performance+60%121▲ / 16▼ of 174 · low
    • Build Quality+59%15▲ / 2▼ of 22 · low
    • Chromatic Aberration+50%8▲ / 1▼ of 14 · low (thin evidence, contested)
    • Handling+72%38▲ / 4▼ of 47 · low
    "sensor let's start at the widest angle of 100 mm and the brightest apture of f4.5 in the middle of the image we immediately see razor sharpness with very good contrast and the image Corners also fantastic what a great st…" — Christopher Frost
  2. Strongest reviewer support on Build Quality and Optical Performance.

    • Optical Performance+54%65▲ / 16▼ of 91 · low
    • Build Quality+73%9▲ / 1▼ of 11 · low (thin evidence)
    • Chromatic Aberration+37%12▲ / 5▼ of 19 · low (contested)
    • Handling+68%13▲ / 0▼ of 19 · low
    "Now, I have a feeling it's going to be mega ultra sharp because it's tuned for macro photography, and so that might not be something you actually want in portraits." — Lee Zavitz Can You
  3. Strongest reviewer support on Optical Performance and Build Quality.

    • Optical Performance+59%70▲ / 10▼ of 101 · low
    • Build Quality+56%18▲ / 4▼ of 25 · low
    • Chromatic Aberration-12%3▲ / 4▼ of 8 · low (thin evidence, contested)
    • Handling+48%31▲ / 8▼ of 48 · low
    "my apsc camera which is an 18 megapixel Canon 60D which is quite a common image sensor for Canon cameras today it's pretty sharp but newer lenses do perform a little better let's look at the performance at 70 mm first wi…" — Christopher Frost
  4. Strongest reviewer support on Chromatic Aberration and Build Quality.

    • Optical Performance+30%32▲ / 14▼ of 61 · low
    • Build Quality+40%6▲ / 2▼ of 10 · low (thin evidence, contested)
    • Chromatic Aberration+100%2▲ / 0▼ of 2 · low (thin evidence)
    • Handling+25%13▲ / 7▼ of 24 · low (contested)
    "and that is where uh the baby Jesus bring its Miracle this 800 mm f5.6 FL lens is known to be as sharp as a lens could be um even wide open at 5.6 and it focuses as fast as any other uh super telephoto uh prime lenses an…" — Hajakely Hands On
  5. Strongest reviewer support on Build Quality and Optical Performance.

    • Optical Performance+33%63▲ / 21▼ of 126 · low (contested)
    • Build Quality+55%6▲ / 0▼ of 11 · low (thin evidence)
    • Chromatic Aberration+17%2▲ / 1▼ of 6 · low (thin evidence, contested)
    • Handling+36%11▲ / 3▼ of 22 · low (contested)
    "dramatically wide while still being quite easy to shoot with and this super wide angle is particularly useful for video makers shooting blogs or using Digital Image stabilization which tends to crop your image a bit and …" — Christopher Frost
  6. Strongest reviewer support on Build Quality and Optical Performance.

    • Optical Performance+31%49▲ / 24▼ of 81 · low
    • Build Quality+56%6▲ / 1▼ of 9 · low (thin evidence)
    • Chromatic Aberration+17%8▲ / 5▼ of 18 · low (contested)
    • Handling+33%11▲ / 4▼ of 21 · low (contested)
    "there was never a point where I thought this is too much cat's eye or too like it just didn't look harsh or anything like that and with a lens that is just as sharp as this thing is sometimes you can get some weird stuff…" — Benj Haisch
  7. Strongest reviewer support on Optical Performance and Build Quality.

    • Optical Performance+40%46▲ / 15▼ of 77 · low
    • Build Quality+32%13▲ / 6▼ of 22 · low
    • Chromatic Aberration+18%3▲ / 1▼ of 11 · low (thin evidence)
    • Handling+52%14▲ / 3▼ of 21 · low
    "8 as I close the aperture there is some benefit to the ultimate sharpness and lifting vignetting in the corners but I was impressed by the quality f2.8 from the closest focusing distance here now for some more shots at t…" — Gordon Laing Lumix S
  8. Strongest reviewer support on Build Quality and Optical Performance.

    • Optical Performance+35%43▲ / 16▼ of 77 · low
    • Build Quality+42%6▲ / 1▼ of 12 · low (thin evidence, contested)
    • Chromatic Aberration+0%1▲ / 1▼ of 5 · low (thin evidence, contested)
    • Handling+47%11▲ / 2▼ of 19 · low (contested)
    "70 to 350 is consistently very good the minimum focusing distance of the 70 to 350 mil is 1.1 M or 3.6 ft which I am not very happy about the lens at this distance provides a maximum magnification ratio of 0.23 x which i…" — Cameradecision Test Lab
  9. Strongest reviewer support on Optical Performance and Build Quality.

    • Optical Performance+44%23▲ / 7▼ of 36 · low
    • Build Quality+38%11▲ / 5▼ of 16 · low
    • Chromatic Aberration+0%2▲ / 2▼ of 4 · low (thin evidence, contested)
    • Handling+30%14▲ / 7▼ of 23 · low (contested)
    "image quality is absolutely bang-on and this is actually an I think if I remember correctly this is actually one of the sharpest olympus lenses on tests you know so as people have done that test on you know the whole ran…" — Jimmy Cheng Red35 Olympus
  10. Strongest reviewer support on Optical Performance and Build Quality.

    • Optical Performance+33%6▲ / 2▼ of 12 · low (thin evidence, contested)
    • Build Quality+20%1▲ / 0▼ of 5 · low (thin evidence)
    • Chromatic Aberration+38%3▲ / 0▼ of 8 · low (thin evidence, contested)
    • Handling+33%2▲ / 1▼ of 3 · low (thin evidence)
    "open at f/4.5, sharpness in the center of frame is superb." — Digitalcameraworld Cameras Lenses Hands
  11. Strongest reviewer support on Handling and Optical Performance.

    • Optical Performance+30%12▲ / 4▼ of 27 · low (contested)
    • Build Quality+29%2▲ / 0▼ of 7 · low (thin evidence)
    • Chromatic Aberration-25%0▲ / 1▼ of 4 · low (thin evidence, contested)
    • Handling+80%4▲ / 0▼ of 5 · low (thin evidence)
    "on the Sony A9 If you haven’t read my reviews before, I do not generally perform resolution tests or make charts to track quality measures. ." — Admiringlight Blog
  12. Strongest reviewer support on Optical Performance and Handling.

    • Optical Performance+55%22▲ / 5▼ of 31 · low
    • Build Quality+0%1▲ / 1▼ of 5 · low (thin evidence)
    • Chromatic Aberration+0%2▲ / 2▼ of 12 · low (thin evidence)
    • Handling+53%10▲ / 1▼ of 17 · low
    "While we haven’t put the lens through a full battery of tests to determine every aspect of its image quality, it’s hard to find much fault with the samples we’ve taken." — Dpreview Gps Media Is
  13. Strongest reviewer support on Build Quality and Handling.

    • Optical Performance-16%10▲ / 16▼ of 38 · low (contested)
    • Build Quality+67%2▲ / 0▼ of 3 · low (thin evidence)
    • Chromatic Aberration-20%2▲ / 3▼ of 5 · low (thin evidence)
    • Handling+71%11▲ / 1▼ of 14 · low (thin evidence)
    "I've done this video so you guys can look at the resolution and the sharpness from both of these lenses with the teleconverter one of the photos and videos will shot with this which is my panasonic lumix s1 are now they …" — Darryl Carey Panasonic S
  14. Strongest reviewer support on Build Quality and Optical Performance.

    • Optical Performance+44%41▲ / 13▼ of 63 · low
    • Build Quality+45%7▲ / 2▼ of 11 · low (thin evidence, contested)
    • Chromatic Aberration-100%0▲ / 1▼ of 1 · low (thin evidence)
    • Handling+55%8▲ / 2▼ of 11 · low (thin evidence)
    "be done i'm absolutely loving the contrast and color i'm getting off this lens [Music] one of the biggest selling points of this 200 to 400 millimeter is this 1.4 times extender that's on it the 1.4 times extender is act…" — Brendan Van Son
  15. Strongest reviewer support on Build Quality and Handling.

    • Optical Performance+1%42▲ / 41▼ of 106 · low (contested)
    • Build Quality+30%13▲ / 4▼ of 30 · low (contested)
    • Chromatic Aberration+0%4▲ / 4▼ of 16 · low (contested)
    • Handling+31%18▲ / 8▼ of 32 · low
    "is lower than you might expect for a lens with such a huge Zoom capability as I mentioned though it only offers an apsc image Circle so if you're shooting on a full-frame camera you will have to revert to its lower resol…" — Christopher Frost
  16. Strongest reviewer support on Build Quality and Handling.

    • Optical Performance+8%42▲ / 35▼ of 83 · low
    • Build Quality+38%5▲ / 2▼ of 8 · low (thin evidence)
    • Chromatic Aberration-50%1▲ / 3▼ of 4 · low (thin evidence)
    • Handling+25%2▲ / 1▼ of 4 · low (thin evidence, contested)
    "so by the time this lens was manufactured Pentax had a long history in producing Optics but what about this particular lens the lens has good sharpness even short wide open at f2.5 stopping down increases contrast and by…" — Fist Full Of Lenses
  17. Strongest reviewer support on Build Quality.

    • Optical Performance-8%2▲ / 3▼ of 13 · low (thin evidence)
    • Build Quality+18%2▲ / 0▼ of 11 · low (thin evidence)
    • Handling-8%1▲ / 2▼ of 13 · low (thin evidence)
    "105mm f/2.8 VR S The display is bright, though not particularly high in resolution, though that’s fine." — Admiringlight Blog
  18. Strongest reviewer support on Optical Performance and Build Quality.

    • Optical Performance+27%11▲ / 4▼ of 26 · low
    • Build Quality+17%2▲ / 1▼ of 6 · low (thin evidence)
    • Chromatic Aberration+25%1▲ / 0▼ of 4 · low (thin evidence)
    • Handling-100%0▲ / 1▼ of 1 · low (thin evidence)
    "On the EOS R6, I was able to get another stop or so, with consistently sharp shots at around a half." — Admiringlight Blog
  19. Strongest reviewer support on Optical Performance and Handling.

    • Optical Performance+11%23▲ / 17▼ of 53 · low (contested)
    • Build Quality-17%4▲ / 6▼ of 12 · low (thin evidence, contested)
    • Chromatic Aberration-7%2▲ / 3▼ of 15 · low
    • Handling+19%8▲ / 5▼ of 16 · low (contested)
    "a pretty competent variable aperture soom lens but what am i five reasons why this is far more than just a kit lens [Music] first up is it's solid and versatile picture quality the image quality that you get from the 28 …" — 120fps Ingaf Far
  20. Strongest reviewer support on Handling.

    • Optical Performance-15%15▲ / 23▼ of 55 · low (contested)
    • Build Quality+0%2▲ / 2▼ of 7 · low (thin evidence, contested)
    • Handling+27%8▲ / 4▼ of 15 · low (contested)
    "same picture quality as lenses with shorter Zoom ranges or prime lenses that don't Zoom at all another problem with super zoom lenses is that they're not very fast they don't let in a lot of light their maximum apertures…" — Christopher Frost
  21. Strongest reviewer support on Handling.

    • Optical Performance-5%6▲ / 7▼ of 19 · low
    • Chromatic Aberration-67%0▲ / 4▼ of 6 · low (thin evidence)
    • Handling+50%1▲ / 0▼ of 2 · low (thin evidence, contested)
    " >  Lens Test Results Test results In-depth comparisons Sharpness Chromatic aberration Geometric distortion Vignetting Transmission Conclusion The Panasonic Lumix S Pro 70-200mm F2.8." — Dxomark Panasonic Lumix S
  22. Strongest reviewer support on Optical Performance and Handling.

    • Optical Performance+30%27▲ / 11▼ of 53 · low
    • Build Quality-40%1▲ / 5▼ of 10 · low (thin evidence)
    • Chromatic Aberration-25%0▲ / 1▼ of 4 · low (thin evidence, contested)
    • Handling+15%5▲ / 3▼ of 13 · low (thin evidence)
    "[Music] howdy everyone now a little while ago I made a review of Canon's 100 mm f2.8 USM macro lens and you can watch that full review by clicking on the link below or the link in the description I tested it on my apsc c…" — Christopher Frost
  23. Strongest reviewer support on Handling and Optical Performance.

    • Optical Performance+7%42▲ / 35▼ of 94 · low (contested)
    • Build Quality-22%6▲ / 10▼ of 18 · low
    • Chromatic Aberration-33%1▲ / 3▼ of 6 · low (thin evidence)
    • Handling+24%10▲ / 5▼ of 21 · low (contested)
    "fantastic but what about image quality I'll be testing this lens on a Canon EOS R5 with its full frame 45 map sensor with in camera Corrections turned on at 100 mm and at 5.6 sharpness and contrast are very good in the m…" — Christopher Frost
  24. Strongest reviewer support on Handling and Optical Performance.

    • Optical Performance+5%35▲ / 30▼ of 92 · low (contested)
    • Build Quality-19%4▲ / 7▼ of 16 · low (contested)
    • Chromatic Aberration-38%1▲ / 4▼ of 8 · low (thin evidence)
    • Handling+11%4▲ / 3▼ of 9 · low (thin evidence, contested)
    "not made for that it is not made to be used in bad light handheld with no flash it is impossible to keep a subject still enough to get a sharp picture unless you just have extraordinary luck I'm going to instead go out w…" — Allan Walls Photography Nikons
  25. Strongest reviewer support on Handling.

    • Optical Performance-25%23▲ / 43▼ of 80 · low
    • Build Quality-14%3▲ / 4▼ of 7 · low (thin evidence)
    • Chromatic Aberration-100%0▲ / 2▼ of 2 · low (thin evidence)
    • Handling+100%2▲ / 0▼ of 2 · low (thin evidence)
    "the 18 through 55 is it does zoom out a little more 18 is of course a bit more zoomed out than 28 but of course 28 is more than wide enough I would not complain about that at [Music] all now image quality wise I'd say th…" — Jordanphotoaudio
  26. Strongest reviewer support on Handling and Optical Performance.

    • Optical Performance+8%41▲ / 34▼ of 90 · low (contested)
    • Build Quality-29%2▲ / 4▼ of 7 · low (thin evidence, contested)
    • Chromatic Aberration-67%0▲ / 6▼ of 9 · low (thin evidence)
    • Handling+20%6▲ / 4▼ of 10 · low (thin evidence, contested)
    "Given the sensor’s potential, a peak 8 P-Mpix sharpness score doesn’t look that great initially, but it is as high as any E-series zooms we’ve." — Dxomark
  27. Strongest reviewer support on Optical Performance.

    • Optical Performance+30%5▲ / 2▼ of 10 · low (thin evidence)
    • Build Quality-50%1▲ / 3▼ of 4 · low (thin evidence)
    • Chromatic Aberration-50%0▲ / 2▼ of 4 · low (thin evidence)
    • Handling-33%1▲ / 2▼ of 3 · low (thin evidence)
    "Focus this lens being a prime lens has almost no Distortion forr users will notice slight V getting at f1.8 and F2 but DX users won't notice it at all like I said at the beginning of this video this lens is the sharpest …" — Alex Lynch
  28. Mixed reviewer sentiment across the criteria — see the evidence below.

    • Optical Performance+0%5▲ / 5▼ of 12 · low (thin evidence)
    • Build Quality-67%0▲ / 2▼ of 3 · low (thin evidence, contested)
    • Chromatic Aberration-50%0▲ / 2▼ of 4 · low (thin evidence)
    • Handling+0%0▲ / 0▼ of 2 · low (thin evidence)
    "Ok now for a distant quality test, starting at 28mm f2.8, and due to my limited time with the lens so far, I’ve had to." — Cameralabs

Side by side

Cameraaf_performanceOptical PerformanceBuild QualityChromatic AberrationHandling
1. Sony 100 400mm f4.5—+60%+59%+50%+72%
2. Sony 100mm f2.8—+54%+73%+37%+68%
3. Canon 70 200mm f2.8—+59%+56%-12%+48%
4. Nikon 800mm f5.6—+30%+40%+100%+25%
5. Sony 20 70mm f4—+33%+55%+17%+36%
6. Sony 85mm f1.4—+31%+56%+17%+33%
7. Leica 100mm f2.8—+40%+32%+18%+52%
8. Sony 70 350mm f4.5—+35%+42%+0%+47%
9. Olympus 75mm f1.8—+44%+38%+0%+30%
10. Fujifilm 400mm f4.5—+33%+20%+38%+33%
11. Sony 70 200mm f2.8—+30%+29%-25%+80%
12. Sigma 85mm f1.2—+55%+0%+0%+53%
13. Panasonic 70 200mm f4—-16%+67%-20%+71%
14. Canon 200 400mm f4—+44%+45%-100%+55%
15. Sigma 16 300mm f3.5—+1%+30%+0%+31%
16. Pentax 135mm f2.5—+8%+38%-50%+25%
17. Nikon 105mm f2.8—-8%+18%—-8%
18. Canon 85mm f2—+27%+17%+25%-100%
19. Sony 28 70mm f3.5—+11%-17%-7%+19%
20. Canon 18 200mm f3.5—-15%+0%—+27%
21. Panasonic 70 200mm f2.8—-5%—-67%+50%
22. Canon 100mm f2.8—+30%-40%-25%+15%
23. Canon 100 400mm f5.6—+7%-22%-33%+24%
24. Nikon 200mm f4—+5%-19%-38%+11%
25. Canon 28 105mm f3.5—-25%-14%-100%+100%
26. Sony 16 70mm f4—+8%-29%-67%+20%
27. Nikon 85mm f1.8—+30%-50%-50%-33%
28. Canon 28 70mm f2.8—+0%-67%-50%+0%

Net reviewer sentiment per criterion (share positive minus share negative). A blank means no reviewer evidence on that axis for that camera — a gap, not a zero.

Not ranked — outside the criteria

  • Canon 11 24mm f4 — require focal_length_mm >= 70: got 24
  • Canon 15 45mm f3.5 — require focal_length_mm >= 70: got 45
  • Canon 16mm f2.8 — require focal_length_mm >= 70: got 16
  • Canon 24mm f2.8 — require focal_length_mm >= 70: got 24
  • Canon 28mm f3.5 — require focal_length_mm >= 70: got 28
  • Canon 32mm f1.4 — require focal_length_mm >= 70: got 32
  • Canon 35mm f1.4 — require focal_length_mm >= 70: got 35
  • Canon 40mm f2.8 — require focal_length_mm >= 70: got 40
  • Canon 45mm f1.2 — require focal_length_mm >= 70: got 45
  • Canon 50mm f1.8 — require focal_length_mm >= 70: got 50
  • Canon 50mm f2.5 — require focal_length_mm >= 70: got 50
  • Fujifilm 16 55mm f2.8 — require focal_length_mm >= 70: got 55
  • Fujifilm 16mm f2.8 — require focal_length_mm >= 70: got 16
  • Fujifilm 23mm f1.4 — require focal_length_mm >= 70: got 23
  • Fujifilm 27mm f2.8 — require focal_length_mm >= 70: got 27
  • Leica 50mm f1.4 — require focal_length_mm >= 70: got 50
  • Leica 50mm f2 — require focal_length_mm >= 70: got 50
  • Nikon 16 50mm f2.8 — require focal_length_mm >= 70: got 50
  • Nikon 24mm f1.8 — require focal_length_mm >= 70: got 24
  • Nikon 28mm f2.8 — require focal_length_mm >= 70: got 28
  • Nikon 35mm f1.4 — require focal_length_mm >= 70: got 35
  • Nikon 35mm f1.8 — require focal_length_mm >= 70: got 35
  • Nikon 35mm f2.8 — require focal_length_mm >= 70: got 35
  • Nikon 50mm f1.8 — require focal_length_mm >= 70: got 50
  • Nikon 50mm f2 — require focal_length_mm >= 70: got 50
  • Olympus 45mm f1.8 — require focal_length_mm >= 70: got 45
  • Olympus 60mm f2.8 — require focal_length_mm >= 70: got 60
  • Olympus 7 14mm f2.8 — require focal_length_mm >= 70: got 14
  • OM SYSTEM 12 40mm f2.8 — require focal_length_mm >= 70: got 40
  • Panasonic lumix s 35mm — require focal_length_mm >= 70: got 35
  • Rokinon 35mm — require focal_length_mm >= 70: got 35
  • Sigma 14 24mm f2.8 — require focal_length_mm >= 70: got 24
  • Sigma 16 28mm f2.8 — require focal_length_mm >= 70: got 28
  • Sigma 16mm f1.4 — require focal_length_mm >= 70: got 16
  • Sigma 17 40mm f1.8 — require focal_length_mm >= 70: got 40
  • Sigma 19mm f2.8 — require focal_length_mm >= 70: got 19
  • Sigma 20 60mm f2.8 — require focal_length_mm >= 70: got 60
  • Sigma 23mm f1.4 — require focal_length_mm >= 70: got 23
  • Sigma 28 45mm f1.8 — require focal_length_mm >= 70: got 45
  • Sigma 30mm f1.4 — require focal_length_mm >= 70: got 30
  • Sigma 35mm f/1.4 DG DN Art II — require focal_length_mm >= 70: got 35
  • Sigma 35mm F1.2 DG DN Art — require focal_length_mm >= 70: got 35
  • Sigma 35mm f1.4 — require focal_length_mm >= 70: got 35
  • Sigma 45mm f2.8 — require focal_length_mm >= 70: got 45
  • Sigma 56mm f1.4 — require focal_length_mm >= 70: got 56
  • Sigma 60mm f2.8 — require focal_length_mm >= 70: got 60
  • Sony 12 24mm f2.8 — require focal_length_mm >= 70: got 24
  • Sony 16 25mm f2.8 — require focal_length_mm >= 70: got 25
  • Sony 16mm f1.8 — require focal_length_mm >= 70: got 16
  • Sony 28mm f2 — require focal_length_mm >= 70: got 28
  • Sony 35mm f2.8 — require focal_length_mm >= 70: got 35
  • Sony 50mm f1.2 — require focal_length_mm >= 70: got 50
  • Sony 50mm f1.4 — require focal_length_mm >= 70: got 50
  • Sony 50mm f2.8 — require focal_length_mm >= 70: got 50
  • Sony 8 14mm f3.5 — require focal_length_mm >= 70: got 14
  • Sony FE 35mm F1.4 GM — require focal_length_mm >= 70: got 35
  • Tamron 12 20mm f2.8 — require focal_length_mm >= 70: got 20
  • Zeiss 35mm f1.4 — require focal_length_mm >= 70: got 35

Pending — a spec we're still sourcing

These earned a review card but are held out until we confirm a spec the criteria gate on. That is a data gap on our side, not a mark against the camera.

  • Nikon z 20 — focal_length_mm: focal_length_mm not present on card

Every position above traces to the reviewer claims on each product's card. We don't write opinions — we synthesize theirs, and we present fit rather than a verdict.